css3 generator by

Early Music (Adults)

4th - 10th August 2019 (TBC)
Directed by Philip Thorby
Tutor: David Hatcher
Location: Wotton House, Horton Road, Gloucester. GL1 3PT (TBC)
Residential - camping - B&B
Fee: £450 (TBC)


Each year our course has a unifying theme.   This does not inform every single piece of music we work on, but the major "tutti" works as well as some of the smaller sessions reflect our chosen topic.   For 2019 it is "Gloria in Excelsis Deo".   With its powerful and colourful text, the Gloria is often the finest individual movement in Renaissance settings of the Mass.   We will be exploring Glorias in from four to forty parts, including the 24-part setting by Annibale Padovano, and the 40-part setting by Alessandro Striggio.

Philip Thorby

The Beauchamp Early Music Course has been running for over 30 years, over half of which have been under the charismatic direction of Philip Thorby.   For the last few years Philip has been ably assisted by David Hatcher and we are pleased to welcome Adam Staines as a third tutor.   We are pleased to have Richard Thomas joining us for a couple of days as a guest specialist tutor.

In 2018 we are very pleased to be returning to Wotton House - a very private oasis in the city of Gloucester.   Wotton House is the home of the recently launched Gloucestershire International School (   It is an historic Grade 2 listed stately home, built in the early 1700s, retaining many original features.   It has the huge benefit of a residential block with many single (and a few twin) bedrooms.

Early Music Week Each full day there are 4 tutor-led sessions (2 in the morning, one late afternoon, one after dinner); for these the tutors will put up a list daily naming the instrumentalists for each piece to be played.   There is ample opportunity in the early afternoon and late evening ‘free time’ for musicians to arrange groups amongst themselves to play any instruments they may not be listed to play.   These optional, informal sessions tend to gravitate to a slightly later repertoire.

A level of competence is required from participants.   Voices don't have to be beautiful, but singers need to have some sight-reading fluency and to be in control of their voices; players need to comfortably hold their part and be able to hit the right notes on suitable instruments at the right time!   Early Music Week Appropriate instruments for most of the repertoire are cornetts, sackbuts, curtails, recorders, baroque strings, viols, continuo instruments.   Pitch is A440.   As always we try to remain as close as possible to the composer’s orchestration, so not all instruments may be involved at all times.   If you have more than one instrument, or are happy to join the choir for a session or two, you will be kept very busy: if you come as a dedicated sopranino shawm player, less so!   (If in doubt, please feel free to enquire.)  

Early Music Week
Though many who attend are regulars - and some have been coming on the course since its inception! - new participants are always most welcome.   Our excellent and friendly catering staff provides all meals - breakfast, coffee, a substantial lunch buffet, afternoon tea and 3-course dinner and cater for all dietary requirements.

Many course participants camp/caravan in the grounds and there are good shower and toilet facilities.   In this new venue we are pleased to be able to offer a good number of single bedrooms (not en suite) and a few twin bedrooms on a first-come-first-served basis at £170 for single occupancy, £100 shared.   Please email for more information and availability.  

Daily programme:

8.15 a.m. Breakfast
9.15 - 11.00 a.m. Session 1
11.00 a.m. Coffee break
11.15 a.m. - 12.45 p.m. Session 2
1.00 p.m. Lunch
4.00 p.m. Tea
4.30 - 6.00 p.m. Session 3
6.30 p.m. Dinner
7.30 - 9.30 p.m. Session 4

To download the course leaflet please click here:   for a Booking Form, please click here.   For further information or queries please contact Anne Summers by email at or phone 01989 218432 / 01452 668592.


Philip Thorby is well known as a performer, teacher and conductor of Renaissance and Baroque music.   As a performer he has played recorder, viol and early wind instruments with many of London’s early music ensembles, as well as in premieres of works by composers such as John Tavener, Imogen Holst, David Bedford and Paul McCartney.   He founded and directed the Renaissance ensemble Musica Antiqua of London, which made seven highly acclaimed CDs of sixteenth century music, broadcasts for the BBC and performed concerts in Britain and abroad.   He now plays regularly with Philomel, an ensemble formed by some of his former students, and his new ensemble The Intrepid Academy, as well as continuing as a freelance soloist.   As a teacher, he had a long career directing early music at Trinity College of Music (now TrinityLaban Conservatoire of Music and Dance) in London, of which he is now Emeritus Fellow.   He was recently invited to direct Cambridge choral scholars and professional instrumentalists in a project on Cavalieri’s opera "Il Rappresentatione di Anima e di Corpo", culminating in staged performances in Trinity College Chapel.   His energetic, passionate and scholarly direction is also much sought-after on playing days and weekends, as well as on courses such as the Easter Early Music Week in Ascot, Cambridge Early Music Summer Schools (where he directs the Renaissance course and co-directs the Baroque one), the Irish Recorder and Viol Course, and in Venice, where he directs two courses a year, with final concerts in the Scuola Grande di San Rocco, where both Gabrieli and Monteverdi directed their own music!

David Hatcher was born in Warwick and upon attaining the LTCL diploma two years after taking up music, he went on to study viola da gamba with Charles Medlam and recorder with Philip Thorby at Trinity College of Music, London.   He began his career based in England, touring to America, Israel, France, Germany and the Netherlands.   He has broadcast for both the BBC and independent radio and television. In 1987 he moved to Japan where he was to remain for the next nine years, taking an active part in that country’s flourishing early music scene.   He has recorded with Evelyn Tubb, The Consort of Musicke, I Fagiolini, Sprezzatura, and the Japanese ensembles Chelys, Ensemble Ecclesia and the Bach Collegium of Japan.   David now lives in Leominster on the Welsh Marches and has appeared with Fretwork, The Royal Shakespeare Theatre, The Globe Theatre, The Consort of Musicke, Muisca Antiqua of London, The Corelli Orchestra, The Harp Consort, Glyndebourne Opera and many other period orchestras and ensembles.   He regularly teaches on summer schools such as the Cambridge Early Music Summer School, the Easter Early Music Course at Ascot and Sastamala Gregoriana in Finland, and is in demand as a tutor for many weekend and day courses.   Recent projects include performing in Damon Albarn's opera "Dr Dee" and performing and recording with I Fagiolini in their hugely succesful interpretation of Striggio's 40-voice mass.   He performed in the inaugural season of the Sam Wanamaker Playhouse in 2014 and in the highly acclaimed production of The Knight of the Burning Pestle in 2014 & 2015.   He is a founder member of Philomel and The Intrepid Academy, which, under the direction of Philip Thorby, explores the rich heritage of early 16th century Venetian music.

Early Music Week

Feedback from previous courses:

National Early Music Association

Here is a link to the National Early Music Association which you may find useful.

Also, one for the North West Early Music Forum, and one for the Welsh Early Music Information site.

Back to top